Complications in Sue: A Bold and Innovative Opera Experience
Opera Philadelphia presents a new commission titled Complications in Sue, which opens with a mysterious scene involving four figures pushing a black baby carriage. The opera, led by countertenor Anthony Roth Costanzo, features cabaret legend Justin Vivian Bond and a diverse creative team, including composers like Missy Mazzoli and Nico Muhly. The story follows Sue through different stages of her life, blending reality and imagination in a colorful and thought-provoking narrative.
The eclectic team of singers and directors, along with conductor Caren Levine, bring Sue's story to life with vocal prowess and gestural choreography. Librettist Michael R. Jackson weaves a complex tale that touches on both contemporary issues and timeless themes. The opera's structure, divided into 10 parts with different composers, offers a unique musical experience that challenges traditional opera conventions.
Complications in Sue explores the intersection of real life and fantasy, with scenes ranging from Santa Claus having a breakdown to Sue navigating rumors in a Brideshead Revisited-inspired setting. The opera delves into societal issues like the impact of technology and the value of free speech, prompting reflection and sparking conversation. The music, set to Jackson's text, creates a rich tapestry of sound that captivates and challenges the audience.
The opera's closing chapter, composed by Nico Muhly, brings Sue's journey to a poignant conclusion, hinting at the cyclical nature of life and death. Complications in Sue represents a new direction for contemporary opera, embracing a collaborative and innovative approach that showcases both established and emerging talent. With Bond as a charismatic muse at the center, the production promises to be a captivating and thought-provoking experience for audiences.
Don't miss the world premiere production of Complications in Sue, running through Sunday, February 8, at Opera Philadelphia's Academy of Music.